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Allison Brennan permalink 84 Comments »
Meet Karin Harlow!
20
May
10
Guest Bloggers Icon

Enemy LoverWhen Karin Harlow asked me to read an early copy of Enemy Lover, I hesitated—I’m not a huge fan of vampire stories. But after only one chapter I was hooked. Harlow’s characters are so compelling, the action exquisitely written, the dialogue sharp and realistic, I forgot I wasn’t supposed to like a vampire story. Jax and Marcus are two of the most gripping characters I’ve read in a long time. When I recommend to new writers that they not be afraid to torture and torment their characters, from now on I’ll simply refer them to Harlow.

One reviewer said, “Marcus Cross gives whole new meaning to Alpha male. Jax Cassidy put the kick-ass in the word ‘heroine.’” . . . I couldn’t have said it better myself. I love strong heroines who don’t need a man—but realize they are a better, more complete person, with passion and love in their lives. That’s Jax.

Fresh Fiction called Enemy Lover, “Black Ops meets the paranormal” which I think sums up this original story perfectly.

So now it’s time for you to meet the incomparable Karin Harlow! Read on because you’ll have the chance to win a signed copy of Enemy Lover and a limited edition L.O.S.T. mug!

AB: Thank you so much for being here with us at Murder She Writes! We are all thrilled to have you. (applause, applause, hoot, woot!) Please give us a brief synopsis of ENEMY LOVER, book one in the L.O.S.T. series.

HARLOW: Thank you Allison for taking the time to chat with me and have me as your guest at Murder She Writes, and double thank you for all of that lovely praise!

It’s Jax Cassidy’s first mission for L.O.S.T.—one that will give the former cop who went rogue a chance to prove herself. Her assignment: gain the trust of assassin Marcus Cross . . . eliminate him . . . then take down Marcus’s mentor, Joseph Lazarus, a man with a bold eye on the White House. But the woman who’s known by her team for being a femme fatale succumbs to passion, only to discover Cross’s deadly secret. He’s a vampire, and Joseph Lazarus is his creator.

Left for dead by his platoon in the violent hills of Afghanistan, special ops sniper Marcus Cross was given a second chance at life. His newly heightened skills make him the perfect killing machine, and as Lazarus’s right hand man, he’s quickly rising to the top of his dark empire, purging enemies with speed and precision. Only when dangerous beauty Jax Cassidy is sent to bring him in does he begin to question Lazarus’s motives and his own actions. But when Jax’s life is threatened by the one thing that can destroy them both, Marcus must make a bitter choice—her death or his.

AB: Is this a series? A trilogy? Stand-alone?

HARLOW: ENEMY LOVER is a stand alone book, but it is also book one in the L.O.S.T., Last Option Special Team, series. I hope for a long long run!

AB: Tortured heroes. Tortured heroines. Bad, bad, bad villains. Talk a little bit about your characters and how you made them come so alive in this book.

HARLOW: I’m a people observer. I’m always fascinated with people’s issues. What makes them tick. Why does one woman curl up and hide from the world when something bad happens to her while another woman will roll up her sleeves and kick some ass? I’m hooked on the show Intervention and anything Dr Drew is involved in. It’s a wonderful window to real peoples’ very real issues, in that, I give my characters real depth. They can and will do bad things, sometimes for the right reasons and sometimes not, but there is a valid reason other than being stupid or just plain old mean. That goes double for the bag guy. In ENEMY LOVER, while Marcus is an assassin and believes in what he does, his boss who also happens to be his creator, Joseph Lazarus, wants to control the White House. Not because he’s power hungry, though that is part of his motivation, but more than that, what drives him is the fact that he’s a hardcore patriot and will use the White House to eliminate any threat to his country. However, he sees fit. It’s the, however he sees fit, that’s the problem.

AB: In some ways, ENEMY LOVER is a political thriller. In others, a romantic suspense. And of course, there are vampires–though very original and thoughtfully created, while still holding to the basic vampire mythology. In fact, one might call it a paranormal romantic suspense with political thriller overtones. (bawahahaha!) How did the plot come together for you? It’s quite complex–did you plot it out ahead of time? Did your characters take over?

HARLOW: ENEMY LOVER has been called all of the above plus action-adventure! I love it all, because ENEMY LOVER is all of the above! Ok, so here’s the deal: When you have no other alternative, then you call in L.O.S.T. Because with L.O.S.T. it’s do or die.

L.O.S.T. doesn’t take on small missions, these guys and gals take on the big stuff. Like the guy who has his eye on the White House and his right arm, uber stealth assassin vampire, Marcus Cross. These guys are untouchable and not willing to take no for an answer. For L.O.S.T., it’s go big or call the local cops. What’s bigger than our national security via an unauthorized take over of the White House?

Like you, I’m a pantser. But before I begin a story, I have to know three things about my h/h and the bad guy: What do they want? Why do they want it? And how far are they willing to go to get it? I have a general idea of the story but it doesn’t evolve until it goes from my brain to my fingers to the computer screen.

And, yes, my characters took over long before I started the story. I really was consumed by them.

AB: One of the things I greatly admired in this book was your dialogue. It’s fast, it flows, and is very natural. What’s your secret? Do you read it out loud? Act out the scenes?

HARLOW: Thank you! I love dialogue and equate it to action scenes. I don’t have a secret, it’s one of those play to your strengths kind of things. I have snappy repartee going on all around me in my home life, so I write what I know. ;) I don’t usually read out loud, mostly because I forget to! I’m not much for acting out scenes either, but with this book since there is so much high-octane action, I found myself walking through many of the scenes with my husband. He was a great help.

AB: ENEMY LOVER is as sexy as it is suspenseful. Your characters live large in everything they do. What are your thoughts on writing larger-than-life characters who love—and fight—passionately, without making them caricatures?

HARLOW: I have a big emotional family. We love hard, play hard, get pissed off hard, and we are loyal to a fault, it all comes out in my characters. I write them true to themselves. I know some people who live so large they are a caricature, but I think they are caricatures because they don’t show the emotional sides of themselves. With my characters, you may not see it in their actions right off the bat, but you will immediately feel it from their insides out.

AB: Do you have anything else you want to share with MSW? Like maybe, what’s up next?

HARLOW: I’m working on L.O.S.T. book two, working title LOST SOULS. It features L.O.S.T operative Nikko Cruz, who has good reason to despise manipulative women, pitted against the mistress of manipulation, half daemon, half elf, Selena de la Roja posing as a sexy Cubana club owner in sultry south beach, who uses her club, LOST SOULS, to lure daemons in, then makes hash out of them. She has her reasons. She’s an amazing woman. Amazing. Though passing herself off as a human to blend into their world, Selena has no interest in humans except to use as bait to lure daemons from hell. Unfortunately, she needs Cruz to save her mother from her daemonic father and Cruz needs her to locate three hijacked centrifuge-laden semis spinning uranium-235. Not a good thing in the hands of the wrong government.

AB: And now the fun stuff! Here’s some questions I asked Ms. Harlow:

Sun Sign: I’m a Leo of course!
(Of course? Is there something I don’t understand here?)

Do for fun: Wine tasting!
(I’ve made a new friend!)

Dumbest thing you’ve ever done: Let’s not go there…
(Shoot, you’re no fun! How much wine do I have to ply you with to get you to spill your guts???)

Smartest thing you’ve ever done: Threw caution to the wind, packed up my car and moved to California with my boyfriend who I married.
(Smartest or craziest!)

One thing you want to do, but doubt you will: Take two months and travel Europe.
(I want to live for a year in Ireland.)

One thing you want to do, and know you will: Rent a nice motor home (the kind with indoor everything!) and travel across this great country of ours.
(My grandparents did that . . . you’re not that old!)

Favorite TV show: Castle. I know, frivolous escapism.
(We all need frivolous escapism!!)

Favorite movie: ugh so many. Zeferelli’s Romeo and Juliet
(Very cultured of you!)

If you could marry anyone (other than your husband!) who would it be? If that hunk on my cover has half a brain, him!
(No comment! LOL)

Enemy Lover goes on sale next Tuesday. Five days. Would you like a copy? Then comment below—or ask Karin a question–and one very lucky winner will win a signed copy of this breakout book. And she’s also giving away one of these cool custom L.O.S.T mugs! (It is a REALLY cool mug!) And if you want to learn more about our special guest, visit her website!

Allison Brennan permalink 50 Comments »
Ghostly Vengeance
22
Apr
10
Allison Brennan Icon

Stephen King has said that the short story is a lost art. King is the master of the short story; in fact, my favorite King movies originally came from his short stories. (THE SHAWSHANK REDEMPTION was originally “Rita Hayworth and the Shawshank Redemption; there was also ’1408′ and ‘The Langoliers’, both of which translated well to film, and others.) But as the magazine market has collapsed and fewer anthologies are published, the short story has become rare. My mom says she doesn’t like short stories and novellas because she doesn’t feel like there is a completely story; other people enjoy them because they can read a complete story quickly, without having to invest hours of time.

I have a 4,000 words story in the upcoming BLOOD LITE II, the Horror Writers Association anthology. I originally wrote it as the prologue for CARNAL SIN, but it didn’t fit the tone of the book. In fact, it really didn’t “sound” like me. So I added an ending to the prologue and revised it to be a complete story of the anthology: “Her Lucky Day” is the story of a prostitute who thinks she killed her john, until an unlikely savior walks in. She believes she’s been saved . . . but has she?

I received permission this week to release the exclusive short story that was printed in the special Walmart printing of ORIGINAL SIN. “Ghostly Vengeance” takes place a week after the events in ORIGINAL SIN, and a week before the events in CARNAL SIN which will be released two months from today. It will be available at sevendeadlysinsbooks.com next week, but you can read it here first! (Note: this is my copy, which doesn’t have all the nice copyeditors fixes!)

If you haven’t read ORIGINAL SIN, the short story doesn’t give much away, but it does take place after the events in OS and there are a few spoilers. It’s up to you! If you don’t want to read the short, please comment anyway for a chance to win OS, because–honestly–I’m getting a complex here. Rocki and Lori have over 100 comments each this week. Somehow, I don’t think that’s fair, do you? (I love you girls, you know it, but hey, I’m competitive!) So comment for a chance to win a signed copy of the special Walmart ORIGINAL SIN, with “Ghostly Vengeance” printed in the back. I only have a couple copies of this version, so I thought it would be an enticement! :)

Tell me what you think of my first ghost story, or talk about your favorite short story and why. One of my all-time favorites is “The Lottery” by Shirley Jackson. Brilliant in its simplicity, and thought-provoking as well as horrific. You remember it from school, right? The woman who gets stoned . . . and I’m not talking about pot here.

GHOSTLY VENGEANCE

(c) Allison Brennan

Why should he be alive
Breathing still while others died

–Blue Oyster Cult, “Sole Survivor”

Three nights after Moira and Rafe were nearly killed during an occult ritual at Rittenhouse Furniture Warehouse, they watched the property from a car she’d borrowed—without permission–from Skye’s neighbor down the street. Emergencies required drastic measures, and she figured if she saved the sheriff’s ass, Skye’d get Moira out of any potentially sticky situations.

Rafe shut his cell phone. “Anthony is on his way.”

“I didn’t think you’d be able to talk him out of coming. I hope I’m not over-reacting.”

“You? Overreact?” Rafe smiled. “I highly doubt that.”

Moira’s sense of foreboding had been growing all evening, and now that they’d arrived at the store, she knew she’d been right to worry. Skye was in trouble. She didn’t know how she knew—it wasn’t a vision, it was more a feeling, like a dream she couldn’t quite remember. Besides, she’d never had a vision of the future, only the present. But twenty minutes ago she’d run from Skye’s house, Rafe on her heels. She knew Skye was at Rittenhouse and something was very wrong.

Staring at the dark, empty building, Moira bit her lip and considered their options. She’d already tried Skye’s cell phone, but it went directly to voice mail. They couldn’t wait for Anthony, because if something happened to Skye while they sat around twiddling their thumbs she’d never forgive herself.

Their borrowed car was concealed on the far side of the lot under a broken streetlight. In fact, all the lights were out, which was also odd. It was the middle of the night, with a thick fog. She could barely make out the large display windows in the front of the store, but she didn’t see any flickering of flashlights or the overhead fluorescent lights. They’d been here for nearly five minutes and nothing: no movement, no light, no sound.

Skye’s truck was parked near the back entrance next to a black Jeep. They had no idea who owned the Jeep, but it could be a witch tapping into the dark energy that still permeated the area after Friday night’s disastrous ritual. Or it could belong to a couple of kids bent on making out or looting the place.

“I say we go in through the front,” Moira said to Rafe. “I don’t see any movement in the front windows.”

“Anthony said to stay put and wait for him.”

She bristled as she opened the door. “I don’t take orders from Anthony.”

Rafe opened his door. “Neither do I.”

She shivered as the damp salt air wrapped its foggy mitts around her. She wasn’t dressed for the cold, she was dressed for action: jeans, thin black turtleneck, and her special leather jacket. She pulled her long, dark hair out of her way.

“Maybe we should separate,” she whispered as they quickly shut their car doors. “I’ll take the front, you the back.”

“Hell no, we’re staying together. No way am I letting you out of my sight.”

She glanced at him, bemused. “I think I’ve proven to you that I can take care of myself.”

He smiled. “Sure you have. Maybe I need you to take care of me.”

He was teasing her, but before she could come up with a retort, his smile disappeared and he scrutinized the building, palpable tension rolling off him. “Rafe?”

“I feel—odd.”

Odd. Yeah, that was an appropriate word for the creepy crawlies that kept the hair standing straight up on the back of her neck. A darkly nagging sensation, like an itch you couldn’t scratch that worsened with each heartbeat.

They skirted the edge of the lot, where bushes and trees were dead or dying. The concrete had been pristine on Friday; the earthquake caused by the demon Envy when he roared into the building had broken the perfect slab, making the property look long-abandoned.

If someone were planning a ritual sacrifice, Moira thought, this would be the place to go. Murder, violence, and magical energy was still coating the building like a glove. Ripe for one of the dark magicians to seize the power.

Taking her hand, Rafe pulled her to his side. He assessed her critically. “You sure you’re okay? You’re still limping.”

“Am not.” Her thigh had been bruised when a demon at Good Shepherd had stepped on it with his hoof, but she wasn’t going to let a sore spot keep her from her job. She didn’t like Rafe noticing her limp. If his attention was not fully on the job, it could get him hurt or worse. “Don’t worry about me, okay? If we’re going to do this, we’re a team. Equal partners, no lone wolves.”

“Partners,” he said.

Rafe brought her left hand to his lips and lightly kissed it. The only injury she had that was still bandaged; in the heat of battle, Rafe had cut her palm to weaken the demon Envy.

Not that she was expecting a fight here.

Not that she wasn’t.

They continued to the front of the building, stooping under the large display windows in case anyone inside was looking for movement in the dark shadows.
She squatted in front of the lock. There was still a police seal on this door. No one had entered this way since the seal was put on early Saturday morning. If she broke it —well, chalk up another crime on her rap sheet.

She eyed the combination lock. “Great.” She pulled out small hand-held sheers. “This might take a minute.” Especially one handed, she didn’t have full-use of her left hand yet.

“I’ll do it,” Rafe said, taking the sheers. Twenty seconds later he’d cut through.

Rafe reached for the door handle. “Wait,” she whispered.

“What’s wrong?”

There was something tingly in the air. While it felt similar to magic—like a few too many electrons in the air—there was no magical undercurrent. No witchcraft, except for the residual spells cast three nights ago. No demons, but there was something—

From deep in the interior of the warehouse, a blood-curdling scream pierced the night, followed immediately by three gunshots.

“Skye!”

Moira grabbed the knob, and rushed in, Rafe on her heels. He grabbed her roughly and pulled her back.

“Be smart!” he growled in her ear. He was right, of course. She willed her racing heart to slow down.

They were in the main showroom. Their eyes had adjusted to the absence of light, and she could see the outlines of the furniture against the edges of the vast room. Remnants of the occult ritual remained, but much of it had been boxed and put into evidence. Moira glanced over to the center of the room where Father Philip had died . . . she averted her eyes, still unable to come to terms with his death. She pushed her grief to the back of her mind. Skye needed her undivided attention.

At first the voices in the back of the warehouse were indistinct, male and female, then Moira clearly heard Skye.

“David—we have to leave right now,” Skye said.

Moira exchanged glances with Rafe. “David Collins,” Rafe whispered. “The SWAT team leader.”

On Thursday, the night before all hell broke loose at Rittenhouse, a disgruntled employee had killed two of his co-workers and a customer before he was taken out by SWAT. Skye had been here that night, and Moira suspected that the sheriff’s presence tonight had more to do with the human murders than the demonic activity the following night.

“It’s my fault,” the male voice—David—pleaded. He sounded on edge, his voice rough and emotional.

“You did your job right, David. You saved three lives. It could have been so much worse!”

“But we lost three innocent people!”

“You can’t think that way,” Skye said.

“Don’t lecture me!”

“We have to go. We’ve seen her die three times, we have to get out of here. I’ll call Anthony, he’ll understand this better than us.”

Rafe whispered in Moira’s ear, “Ghost.”

“How do you know?” she asked.

“They’re in the bathroom, right? That’s where the manager died, right?”

“Yeah, but if she’s repeatedly dying, it might just be an imprint of her death, not a real spirit.” Sometimes during sudden or violent deaths, sensitive people could see the victim die. The death loops fade away over time.

“Maybe.” Rafe sounded skeptical.

“Or a manifestation from David’s mind. Maybe he’s imagining it.”

“It sounds like Skye saw the same thing.” He glanced at her. “You haven’t seen a ghost before?”

“No,” she admitted. “You?”

He didn’t answer, and Moira wasn’t sure if it was because he didn’t want to or because Skye and David were arguing, their voices echoing in the partially empty warehouse.

“Don’t look!” Skye shouted. “David, close your eyes!”

Rafe and Moira ran toward the open bathroom. David had his flashlight aimed toward a stall with no door. Dried blood was spattered on the three walls, trails of blood winding down to the floor where it was pooled. A flicker of energy manifested itself into a ghost.

It was Grace Chin, the last victim of Ned Nichols, the Rittenhouse shooter. She was squatting on the toilet, talking on a cell phone though they couldn’t hear her speak, her face frozen in terror as her eyes kept darting to the doorway. She couldn’t see them. She was waiting for something else.

The ghost screamed and the sound of the bathroom stall door being kicked in echoed, then the bullets, three of them, hitting Grace in the chest, the head, and again in the chest, blood spraying everywhere in the small stall, the ghostly replay hitting the walls in the same places that the dried blood now remained.

“It’s my fault!” David screamed. Just as Moira realized David had a gun in his hand, Skye saw her and Rafe in the doorway. The sheriff managed to look both relieved and pissed off.

“David—“

“Why should I live? She didn’t deserve to die, I could have saved her! I should have saved her!”

“It was Nichols who shot her, David. Get your head on straight! It was all Nichols, not you.”

“You should have let me go in sooner!”

The accusation stunned Skye into silence, and Moira took the opportunity to step into the room. Rafe’s hand was on her arm, whether to support her or hold her back, she wasn’t sure.

“David,” Moira said, “we have to get out of here right now. This isn’t real, it’s probably an imprint of Grace’s murder. Death can imprint itself anywhere, but sudden death is more likely to stick around for awhile. But if this is really Grace’s ghost, she might not know she’s dead, which makes her dangerous. You’ve got to let this go.”

“I can’t!”

Skye said quietly, “David, we’ve been friends for my entire career. You don’t want to do anything you can’t take back, and dammit, I don’t want to knock on your parents’ door tomorrow morning and tell them that their son killed himself.”

Skye’s comment seemed to shake David from his daze. He stared at his gun in horror. “I wouldn’t—“ he stopped, and said quietly. “I’ve been here every day. I walked away. But then I saw her, and I couldn’t leave. I feel so helpless, Skye.”

“I know you do. We’ll get through this, I promise.” She held her hand out for his gun.

The apparition began again, a psychic rewind of Grace Chin’s last minute alive.

Rafe said, “Moira, get them out. I’ll take care of the ghost.”

“How—“

“Go!” he ordered. “I don’t have a lot of time.”

He had that look, like he was listening to someone else. Moira pushed aside her fear for Rafe and who he was listening to, and motioned Skye to grab David’s gun.

David holstered it instead. “I can’t—“

“Don’t look!” Moira told him, pushing Skye out the door when she hesitated. “Go, Skye—now!”

Skye went, glancing over her shoulder. Moira pulled David from the room. He neither helped nor hindered her, his eyes on the ghost of Grace Chin huddled in the bathroom stall talking on the phone.

Rafe began speaking the ancient language Aramaic. Moira needed to get David and Skye away. Break the fear and grief that was keeping the two cops rooted in that room reliving the death of the one victim they couldn’t save.

They ran into the break room, which was in complete disarray—the table overturned, papers everywhere, coffee mugs shattered on the floor. Moira figured the ghost had less to do with the mess than the demon Envy who’d been drawn into the warehouse by Fiona’s coven. But either way, Santa Louisa had one more weak spot where the line between Hell and Earth was thin. Moira could feel it.

Skye opened the back door. “David, we’ll go to my house and talk about this, as long as you want.”

“I’m sorry Skye. I don’t know what got into me, I didn’t mean—“ He jumped at the ghost’s scream and three gunshots.

The back door slammed shut, pulling right out of Skye’s hand.

Moira looked at Skye, who said, “I didn’t—the wind.” She reached over to open it again, but it didn’t budge.

Skye kept pulling on the door, but Moira knew they were trapped.

Rafe walked into the back room. “We have a problem.”

“I know, your exorcism didn’t work.”

He shook his head. “She wasn’t a ghost.”

“What do you mean that wasn’t a ghost? You saw it.”

“It wasn’t even a death imprint. It was a projection—“

“You mean fake?” Skye exclaimed. “Someone recorded Grace’s murder?”

“No, I mean a . . .“ Rafe was at a loss for words, but Moira finally understood what he meant.

“Another poltergeist is playing games.”

“Would you explain how whatever it is locked us in here?”

Rafe said, “There is definitely a ghost here, and not a simple apparition—it’s a vengeful spirit. He put a supernatural force on the door. Essentially, his will is keeping it shut tight. The ghostly image we saw of Grace Chin was from his memory.”

David shook his head. “That makes no sense. Skye, you can’t be buying this!”

“Did what you see and heard make sense?” Moira asked.

Skye paled. “The ghost is Ned Nichols?”

“Most likely,” Rafe said.

David shook his head. “But I saw Grace. We all saw her. I’m not crazy.”

“The delay between the imprints,” Moira said, “was about three to four minutes. It’s been at least ten minutes since the last gunshot. The show stopped when Nichols no longer had a captive audience.”

“But why?” Skye asked.

Before Moira could tell her the why didn’t matter, the temperature plummeted in the break room. “He’s locked us in.”

“We have to get out of here,” Rafe said. “Did you feel that?”

“Yes,” she said.

“What?” Skye asked.

“The cold.”

The small refrigerator fell over, the crashing suddenly loud in the silence. Padlocks spun on a row of lockers along the far wall, then one by one the metal doors opened and closed, banging in a caustic cacophony.

“The front,” Rafe said. “We’ll break the windows if we have to. But this guy Nichols has it out for someone, and I think it’s you, David.”

“Why? Because I killed the fucking bastard?”

The locker doors crashed faster and faster.

“Don’t piss him off,” Moira said.

“Too late,” Rafe said. “I don’t think he ever intended to let David leave.”

The door into the hall slammed shut at the same time as the lockers stopped making their agonizing racket. Skye pulled out her phone. “It’s dead.”

“It’s the electromagnetic field the ghost is creating,” Moira said.

“What do we do? Can you exorcise it or something?” Skye asked. The cop hated feeling useless. Moira understood exactly how she felt.

She reached into her pocket and took out a one-pound bag of salt. “This isn’t going to be enough for all of us,” she said. She glanced at Rafe.

He said, “I’ll need your help. I don’t think I can take him down on my own.”

“I’ve never dealt with a ghost.”

“I have, follow my lead.” He frowned and rubbed his temples.

“Rafe?” she whispered.

“It’s okay, just a memory. I can do this.”

Moira ordered Skye and David to sit on two chairs. She poured a circle of salt around them. “This should keep you safe for awhile. This poltergeist is still learning his parlor tricks, he still doesn’t have a lot of control.”

“Salt?” David looked skeptically at the ground.

“It deters spirits. It’s not foolproof, but it definitely will buy you time.”

“What about you?” Skye asked.

“Years of memorizing exorcisms will come in handy,” Rafe said with a half-smile, taking out his dagger.

“You can’t use a knife on a ghost,” David said. He still looked skeptical, and Moira hoped he stayed put.

“It’s iron,” Rafe explained. “If he manifests himself, it’ll disrupt his energy for awhile.”

“How long is awhile?” asked David.

“A minute or so. Long enough.”

The iron shavings they both had in their jackets helped detour ghosts and demons from possessing them as well. Again, not foolproof—a small amount of iron wouldn’t repel more powerful spirits. But Nichols was new at this game, and it would offer them some protection.

Rafe turned to Moira. “Ready?”

She had her knife out. “Right behind you.” The door into the hall opened easily enough. “Divide and conquer,” she muttered.

“You’re being the pessimist tonight,” Rafe said, his eyes focused on the dark in front of him. “Flashlight?”

Moira handed her light to Rafe.

They walked down the short hall, past the offices, and stood along the wall looking into the main showroom. During the ritual to summon the Seven Deadly Sins, the coven had moved all the furniture to the sides. During the battle that ensued, much of it had been tossed or broken, but the police and emergency crews had cleaned up enough to get through the maze.

“There’s more energy here,” Moira said. “I feel the electromagnetic increase.”

“You’re a regular human EMF detector,” Rafe teased.

“Ha ha.”

Rafe tensed beside her. “Do you—“

“—see that? Hell yes.”

The ghost manifested itself into a pale, transparent image of his human body. He wore dark slacks, a light colored, button-down shirt and had a small red hole in the middle of his forehead.

“Nichols,” Rafe whispered.

The showroom was so cold they could see their breath.

“He knows we’re here,” Moira said. “Ready?”

Rafe launched into an exorcism Moira hadn’t heard before. Though not always effective on ghosts, a traditional exorcism could interrupt malevolent activity long enough to find a more permanent way to get rid of the spirit. Destroying their human remains was still the single most effective way of banishing a ghost.
But since cell phones weren’t working, Moira couldn’t very well call the coroner and ask him to torch Nichols’s body.

Moira kept her eyes on the ghost. The exorcism impacted him only slightly—he wavered in form, then took shape again.

Rafe paused, and Moira said, “Let me try—“

Before she could start an alternative exorcism, a chair flew across the showroom and hit the wall right next to her head.

Nichols disappeared, but the cold remained.

“Moira—“ Rafe took her hand and they started to move slowly back toward the break room.

A small table flew at them and they ducked.

“There!” Moira pointed to Nichols who was partially visible only feet from Rafe.

Rafe lunged toward the apparition with his dagger to disperse the energy. The ghost flickered and disappeared.

“Get him?”

“No.”

“You sure?”

A coat rack hit Moira in the head.

“Are you okay?” Rafe sounded both in control and panicked at the same time, if that were possible.

“I’m okay.” Damn, that hurt. She rubbed the side of her neck. She’d been beaten up during her training at Olivet, but nothing like this. “I swear, I wish it was a demon. They are more predictable than that damn ghost.”

“Demons aren’t invisible,” Rafe said. “They can’t waver in and out of sight like ghosts. But ghosts can’t drag you to hell.”

“Oh, joy, that’s looking on the bright side.”

Rafe rubbed the back of her neck. “You have your gun?”

“Of course.”

“See if you can crack the window, weaken it then we might be able to push out the glass.”

“What about the exorcism?”

“I don’t know that it’s going to work fast enough. I wish we could get a message to Anthony to burn Nichols’ body, but we’ll just have to find a way to get out of here then deal with the spirit after. I don’t like leaving Skye alone with that guy—I don’t think he’s a hundred percent stable right now.”

“Skye said she’s known David her entire life or close to it. She would have let us know if she felt threatened.”

“It was his reaction to the reenactment. He’s angry and depressed. Not a good combination.”

“Okay, escape is always good.”

“And,” Rafe continued, “I think the ghost hates you. He threw those things at you, not me.”

“Just lucky I guess.”

“It’s because you’re a woman. Do you remember Skye said after Nichols went postal last week that he blamed his boss—Grace Chin—for sleeping her way to the top.”

“That puts Skye in danger too,” Moira said, pocketing her dagger and taking out her gun.

She shot at the window.

Teeny crack. She fired again, but this time the bullet was diverted and nearly hit Rafe. Her heart quickened and she pocketed her gun.

“Plan B.”

“I don’t have a Plan B.”

“Maybe a Plan C?”

Nichols manifested in the corner of the room. Heavier pieces of furniture moved toward them. Slower than the smaller pieces, which gave them the edge.

“If I can make him retreat, it might loosen his hold on the doors,” Rafe said.

“Go for it. I’ll be bait, since he seems to really hate me.” She moved away from a buffet that looked like it was about to crush her. “And I’ve never met the guy.”

“Just don’t get yourself killed, okay?”

“I’ll do my best.”

Rafe ran along the perimeter of the showroom, toward the apparition, and Moira waved her arms to distract the ghost. “Hey, Nichols! You’re dead! It’s time to move on. I know, you’re probably freaked out because after killing three people in cold blood you didn’t get much chance to say I’m sorry before wham, bam, thank you SWAT.”

The ghost moved toward her, and Rafe lunged for it, slicing the apparition with the iron handle of his dagger. It disappeared.

“Let’s go,” he said, working his way back over to Moira. “Did you have to antagonize the ghost?”

“It worked.”

“I don’t know whether to kiss you or lecture you.”

“If you haven’t guessed, I really hate lectures.”

He kissed her so hard and so fast she would have wondered if he’d kissed her at all, except for the heat that moved through her body.

“Lecture later,” he mumbled as they ran back down the hall to the break room.

The door in front of them splintered when a bullet blasted through.

“Shit!” Moira exclaimed, pulling Rafe back toward her. “That almost hit you.” Her heart raced. They were going to kill themselves if they weren’t careful. Maybe that’s exactly what the ghost wanted.

“Hold your fire!” Rafe shouted. “It’s us!”

Moira opened the door. “Why were you shooting?”

“I saw the ghost,” Skye said, stunned. “You’re not—“

“You didn’t hit anything human,” Moira said, entering the room. Rafe was right behind her, but the door slammed shut in his face, separating them.

“Moira!”

She pushed and pulled at the door. “It’s not budging!” Moira called back to him.

“I’m going to find a way out. Be careful in there.”

“You too.”

Moira heard furniture slamming against the walls. The ghost was dividing them to make it easier to take them out. She had to distract the ghost away from Rafe.

She remembered that the ghost had gone after her. “Skye, I have an idea.”

“Great, because I have none.”

“Just play along, okay?” She turned to David who looked shell-shocked. “David, you’re SWAT, you’ve got to get it together.”

“I’m okay.” He shook his head as if to clear cobwebs. “I’ve never seen a ghost before.”

“Guess what, neither have I. You have to be the bully, he won’t believe it coming from a woman. Skye said something the other night about Nichols blaming the manager for sleeping her way to the top, or something like that.”

David nodded. “He was furious. And at Skye because she was a woman. Said she slept her way into becoming Sheriff.”

“Play that. We have to get him in here and away from Rafe.”

Another crash from the showroom and Moira tried not to picture Rafe lying injured—or worse—under an armoire.

“Oh—oh! I get it.”

Moira backed into a corner with her dagger ready, watching the entire room, an exorcism on her lips. David turned to Skye and said, “I should congratulate you, Skye—you became sheriff the old fashioned way. On your back.”

Skye was a little slower on the uptake. She turned and stared at him, shocked.

“Speak up, or are you going to lie about it?”

Moira pushed the scenario along. “You prick, don’t talk to my girlfriend like that!” She looked pointedly at Skye, willing her to get into the role.

“Yeah, that’s right,” Skye said, catching on. “So what? I’m a good Sheriff. It doesn’t matter who I had to screw to get there.”

The temperature in the room plummeted again.

“You set Ned up because you hate men,” David said. “You made me kill him because you hate men.”

“That’s right,” Skye said, less forcefully.

Nichols manifested himself right next to Moira. That, she wasn’t expecting. He reached out, waves of energy coming off of his spiritual aura, and she was flying across the room, hitting the wall.

Fuck, that hurts!

She was pinned against the wall, scarcely able to breathe let alone fight the ghost.

Nichols rushed at Skye and David, then bounced off the invisible shield the salt circle gave them. All three of them looked stunned.

“Skye!” Moira called, using the last of her breath. Skye turned and Moira tossed her dagger toward her.

Skye leapt from the circle to catch it. Nichols went for her, fast.

“Handle,” Moira said, and Skye flipped the blade around and slashed the ghost with the iron handle.

Nichols disappeared and Moira fell to the floor.

Skye rushed over to her. “Are you okay?”

“He’s no Casper.” Moira slowly rose to her feet. She took her dagger back. “I don’t think I like ghosts.”

The back door opened and Anthony rushed in. Skye practically flew into his arms. “It’s Nichols ghost,” Skye said in a rush. “He lured David here, locked us in, I don’t know what he wants—“

Anthony touched Skye everywhere, as if to make sure she was in one piece, then kissed her, holding her close.

Moira told David, “Go out, as far as you need to get reception, and call the coroner. Tell him he has to destroy Nichols’s body. Pour salt all over it then burn it.”

David looked at her like she was insane. What, he was questioning her now after everything he’d seen tonight?

“Rafe is trapped in the showroom!” Moira exclaimed. “Do it!”

Skye said to David, “Please, David, trust them. Tell Rod I’m ordering him to do it. I’ll take any fall-out.”

“All right. But Skye, in June—“

“It’s okay,” she said, “The election isn’t as important as our lives.”

“You still have my vote,” David said, and left.

Moira had already run over to the door and fought to open it. “Dammit! It’s not moving!”

Anthony and Skye came over to assist. “You’re bleeding,” Skye said.

“It’s just a little cut.” She put her hand on the back of her head. It hurt, it was damp and sticky with blood, but it would heal.

Three loud crashes from the storeroom made Moira jump.

“Stand back,” Skye said. She fired three bullets into the lock. The door sprang open.

Moira told Anthony, “You do the exorcism, I’ll find Rafe.”

Anthony didn’t like taking orders from anyone, especially her, but she didn’t give him time to argue before she rushed down the hall ahead of him.

“Rafe!” she called. “Raphael!”

A grunt from near the front told her Rafe was down. She felt the energy building again, and suddenly she had an idea on how to defeat the ghost.

She ran back toward Anthony and Skye and hit the rock-solid demonologist head on. “What are you doing?” he demanded.

She ignored him and asked Skye, “Do you have your Taser with you?”

“Of course, but—“

“I need it.”

“Why?“

“Trust me.”

Skye handed it to her. “I took off the safety. Be careful.”

Careful. Like they weren’t in imminent danger of being crushed by flying furniture.

Movement near the front drew her eye. Nichols was faintly shimmering, barely visible, whether because he was weakening or had learned to control his physical presence better, she didn’t know. But he was moving away from them . . .

. . . and toward Rafe.

Moira maneuvered among the toppled furniture and shouted, “Hey, Ned!”

The ghost turned to face her.

She didn’t realize how fast ghosts could move. Suddenly it was right in front of her, touching her, its icy cold aura burning her flesh.

Her feet weren’t on the ground.

“Moira!”

It was Rafe’s voice, but she couldn’t let herself be distracted. She fought the levitation, but Nichols was strong. Her arms felt like lead weights and she had to use every ounce of strength to move her hand into firing position.

She couldn’t breathe, as if the ghost was sucking every ounce of air out of her.

In the back of her mind, she heard Anthony shouting a Latin exorcism. The ghost wavered, but didn’t let go.

She pressed the Taser’s trigger.

Two darts flew from the Taser and went right through the apparition.

Moira fell to the ground, the wind knocked out of her. She couldn’t move or feel anything and wondered if she broke all her bones. She hadn’t realized how high he’d held her.

But she wasn’t dead, and slowly the pain spread.

She felt her body gathered up. “Moira, Moira!”

It was Rafe. She tried to say his name, but nothing came out.

“It’s gone,” Anthony said.

“Let get out of here,” Skye said.

Moira tried to talk, but it came out a moan. Rafe was carrying her from the building. The damp fog revived her. She hurt everywhere, but nothing felt broken. “Rafe.”

“Shh.”

“Nichols?”

“Gone.”

“It worked.” She relaxed and leaned against Rafe’s chest, breathed the fresh outside air.

“How did you know the Taser would work?” Anthony demanded.

“Leave her alone,” Rafe said. “Can’t it wait?”

“It’s okay,” she said, feeling better. “Ghosts are made from electromagnetic energy—at least, that’s where they get their strength. I thought a jolt of electricity might disrupt him long enough for us to get out.” And since ghosts were either attached to a person, object or building, if she didn’t destroy it, most likely he’d be trapped in Rittenhouse until they could exorcise the building.

“Smart,” Skye said.

“You scared me,” Rafe whispered in Moira’s ear.

“You scared me. We’re even.” She sighed. “I think I can walk now.”

He set her on her feet. Skye was on her phone, and Anthony was holding her close to his side. Moira saw the love, and the fear, on Anthony’s face. Though she and Anthony had their differences— substantial differences—her feelings about him were changing because of how much he loved Skye. A man who could love so deeply couldn’t be a total asshole.

She looked at Rafe. “I’m okay.”

He was scrutinizing her. She didn’t want a lecture, so she hugged him, relaxing in his warmth.

She took a final look at Rittenhouse Furniture Warehouse.

Four ghostly images flickered in the windows, then disappeared.

Maybe it wasn’t completely over.

THE END

Bye, Bye, Baby
5
Mar
10
Laura Griffin Icon

I finished a book today. Whew! Ninety-five-thousand and some odd words. Four pounds, six ounces of printer paper. A gazillion hours at the computer.

In many ways, it’s like having a baby. Months and months of planning, pondering, and nurturing go into it. There are snack attacks. Missed nights of sleep. A few freakouts and meltdowns along the way.

After typing the last few lines, I got up from my computer–feeling a bit numb–and emerged from the cave I’ve been living in these past few weeks to go tell my husband the news.

“I did it! I’m finished!”

“Great!” he said, his relief palpable. (When I spend a lot of time in the cave, I can be a bear to live with, it’s true.) “So, is it good? Are you happy with  it?”

I blinked at him. “I don’t know.”

“But you’re really done?”

“I think so.” (Wavering now)

“Well, did you write ‘The End’?”

“Um, no.”

See, here’s the thing. I never write that. I think I might have written it on my very first book, but I don’t anymore because it doesn’t feel like The End. Not really. Not enough to type the words down there after the last few lines leave my fingertips. There’s still so much left to do. So much left to change, and shape, and polish. So many revisions, edits, and copyedits.

But that isn’t the only reason I can’t bring myselft to write those two little words.

I thought about explaining to him how a book is like a child, in some ways. And even when you hit those milestones, such as birthdays, and first days of school, and graduations (I’m projecting here, we’ve got some years left before then) you’re never really finished. I don’t see myself dropping my kids off at college and saying, “Well, that’s done. The End!” But I didn’t explain any of that because, well, he’s eaten a lot of frozen pizza lately and been a very good sport about this deadline, and I couldn’t bring myself to tell him that in my heart, I’m not really done yet.

I suppose I have a hard time letting go. I used to get weepy giving away baby clothes. I hate funerals. (Who doesn’t?) And those curbside scenes at the airport? Forget it. I determinedly avoid them. I’m not good at saying goodbye, so I skip it whenever I can. When it comes to my books, it’s especially tough for me to close the curtain on things. Maybe that’s one reason some of my favorite characters pop into future books for a visit every once in a while. I miss them! It probably sounds crazy, but when you spend months and months conversing with someone in your head, it can be difficult to let them go. It’s hard to write The End.

Can anyone relate to this? Maybe even simply as a reader who hates to close a wonderful book? Yes? No?

I should probably sign off now before soemone starts to worry that I’m hearing voices in my head (which, truthfully, I do on a frequent basis. Occupational hazard…)

Do you have a hard time writing The End? Saying goodbye? Any coping strategies to share? Or maybe you will share a book ending that moved you so much, it stands out in your mind months or even years later. I’m all ears today.

After all, my book is finished! (pretty much) I’ve come out of the cave! And in celebration, I’m giving away a signed copy of WHISPER OF WARNING, which was one of my favorite book endings. For a chance to win, just leave a comment!

Fairy Tale on Ice
19
Feb
10
Laura Griffin Icon

I should start by mentioning that I’m not much of an athlete. Never did the swim team thing, or soccer, or basketball. Now, I am an avid runner, but let’s be honest. How much athletic talent does it really take to jog down the street successfully? When I think about my complete lack of athletic ability combined with my severe aversion to cold (I grew up in Houston, capital of the Mosquito Belt), it’s pretty ironic that one of my very favorite television events is the Winter Olympics.

I’m a Winter Olympics junkie. Love to pop the popcorn, throw on the fur-lined moccasins, and curl up on the sofa to watch all those fabulous winter wonderland sports.

Maybe it’s the romantic in me, but my favorite is usually pairs skating. The costumes, the music, the poingnant love stories behind some of the couples. And of course, there’s also the built-in melodrama. (Who doesn’t remember Nancy Kerrigan and Tonya Harding?) With all the rivalries, romance, and conflict, Olympic skating is almost like a good romance novel.

I sat down this year prepared to be swept away by the triple toe loopers, but I quickly realized that this year, women’s downhill skiing is totally where it’s at. Have you been watching?? Do you know what I’m talking about??

First off, how about those stunts? Did anyone see the Swedish skier who rocketed about sixty feet in the air before crashing on the downhill course? This year has been skids, cartwheels, and face-plants all over the place.

Of course, action sequences are fun, but what really makes a great story is the characters, and there is no shortage of interesting ones here. Start with the stunningly beautiful Lindsey Vonn, dubbed by the media as the Olympic Cover Girl after appearing on the cover of Sports Illustrated. (Some people protested that the magazine ‘sexualized’ her by showing her crouched down on skis and heading down a mountain with her bum in the air, but she’s a skier and that’s what they do, so I don’t really get all the fuss.) At any rate, she captivated audiences all over the world the other night when she beat out childhood rival and fellow American Julia Mancuso as well as her best friend, Maria Riesch of Germany, for a gold medal.

And on the subject of Julia Mancuso, what’s with the tiara? Not that I mind, really. I mean, every good fairy tale needs a tiara. It’s just that it looked a bit weird up there twinkling atop her head while she was standing around after the race. It wasn’t until I Googled her that I discovered why Mancuso (as opposed to Vonn) might be the real face of the New Olympics. Turns out, she has a line of lingerie called “Kiss My Tiara.” (Men across America are discovering a new enthusiasm for women’s skiing.)

Athletic and business savvy, this woman. Her products include thongs and boy shorts. Only problem is, you have to have an Olympic athlete’s body to wear them. Yes, I checked them out. Sizes range from Small to Medium (the thong) and One Size Fits Most (the boy short). Hmm…. Clearly this girl is landlocked and hasn’t been to a public beach in a while. But as she’s tied with Bode Miller for most career Olympic Alpine medals by a U.S. skier, I’m going to let it slide.

What Olympic moments have you loved or hated lately? Please share. And since I always enjoy a good contest, I’m going to give a prize to one lucky commenter. (Don’t worry, it’s not a thong.) I was thinking more along the lines of a signed copy of my latest romantic suspense novel, UNTRACEABLE. Good luck and happy Olympic viewing!

Fall in Love Again
5
Feb
10
Laura Griffin Icon

Like many writers I know, I constantly find myself surrounded by book people. It probably has something to do with the fact that I’m a bit of a nut when it comes to books, and I gravitate toward others like me. My TBR pile is a wobbly tower (several towers, actually, in various rooms of my house). I consider it a special treat to spend an hour alone perusing a book store. And one of my favorite conversations starts something like this: “So, I read the most amazing book recently…”

When you’re talking to other book people, and someone tells you something is their favorite book ever, you sit up and take notice, right? I do. Your favorite? Out of hundreds and hundreds of books you’ve read? Whenever anyone tells me something is their favorite book, that title goes straight to the top of my TBR pile, because even if it doesn’t turn out to be my favorite, I know I’m likely in for a very good read.

Because it’s the first week of February, I want to talk about favorite love stories. Favorites. Of all time. You know, those stories that pluck your emotions like guitar strings and make you feel like you’re falling in love again. I’m going to share some of my favorites from various categories, and I really hope you’ll drop a line and add yours, too! (And one lucky commenter will win a Borders gift card that can be used to buy some of these great titles.)

Favorite Romantic Suspense: Cry No More by Linda Howard. Note: Do not read the last scene of this book without a box of Kleenex nearby.

Favorite Contemporary Romance: This Heart of Mine by Susan Elizabeth Phillips. I had never read SEP until she was the keynote speaker at Nationals one year and I was laughing through her speech. The woman sitting beside me said, “You’ve never read Susan?? You have to read This Heart of Mine. It’s my favorite book.” Because the woman was not only a romance reader, but an aspiring author too, I put a lot of stock in her opinion and bought the book that same day.

Favorite Romantic Comedy: (Notice I created a category so I could squeeze Susan Elizabeth Phillips and Jenny Crusie into the same list?) How about Jennifer Crusie’s Tell Me Lies.

Favorite Paranormal Romance: Now, some might argue that this book isn’t a full-fledged paranormal, but it has the time travel element, and it’s a fabulous book, so I’m going to go with it. Outlander by Diana Gabaldon.

Favorite Historical Romance: Flowers from the Storm by Laura Kinsale. Fellow Austin romance author Emily McKay once pulled me aside at a party and told me, “You must read this book!” Some people say it’s the best romance ever written. Read it. You won’t be sorry.

Favorite Classic Romance: I will have to go with Jane Austen here, Pride and Prejudice, although Emily Bronte’s Wuthering Heights is a close second for me.

What about you? Add your favorite love story to the list! And anyone who leaves a comment will get a chance to win a copy of my romantic suspense, Whisper of Warning and a $2o GIFT CARD TO BORDERS just in time for your Valentine’s Day shopping. Let’s hear it for love stories!

Worth the Wait
22
Jan
10
Laura Griffin Icon

I have to share what happened to me this week!

Now, in order to appreciate how cool this is, you must know that a) I got my start as a newspaper reporter and love, love, love to interview people, and b) On the keeper shelf in my office is a hardback copy of Presumed Innocent, one of the first suspense novels I ever read.

So when the editor of RT Book Reviews asked me if I’d like to interview Scott Turow about his upcoming sequel to Presumed Innocent, you could say I was excited. Actually, dancing around the living room in front of my startled family would be more accurate.

You mean there’s a sequel to one of my all-time favorite books? And I get to talk to Scott Turow, who helped inspire me to become a writer in the first place?

The answer is YES!

Needless to say, I accepted the assignment. And then like magic, a manuscript of the new book, Innocent, landed on my doorstep so that I could read it before the interview. I’ve never been so eager to put on my slippers and curl up with 500-plus pages of copy paper. With just forty-eight hours until the interview, I didn’t quite get the book finished, but I still had plenty of questions to ask the talented Mr. Turow. Here is a glimpse of my notes:

“How did you decide to write a sequel?”

“Is there talk of a film?”

“If there is a film, will Harrison Ford play Rusty Sabich again?”

“How do you juggle your writing career with your law practice?”

“If there’s a film, will it feature Harrison Ford?”

“And about Harrison Ford…???”

You may have noticed I’m a bit of a Harrison Ford fan. What can I say? I grew up in the Star Wars era, and as far as I’m concerned Han Solo is the original alpha hero. (Luke was always just a little too prissy for me.)

Sorry, I digress. Back to the interview, which was fascinating.  I was impressed with Scott Turow before this, but once I had a chance to research him.. wow! Aside from pioneering an entire genre (the legal thriller) and writing non-fiction, this man also manages to practice law, head ethics committees, serve as president of the Authors Guild, do pro bono work (such as the 1995 case in which he got a wrongfully convicted man who had spent eleven years in prison released from death row)… And that is not even a full list of his accomplishments.

Going into this interview, I was a little intimidated.

But it turns out, along with all his achievements, Scott Turow also happens to be a nice, easy-to-talk-to guy. We had a great conversation about writing, law, film, and yes, the latest adventures of the fictional Rusty Sabich. (Remember the prosecutor framed for murdering his mistress? Remember his diabolical wife?) Well, Rusty is back, and IMHO the sequel is just as enthralling as the original book.

I won’t spoil Innocent for you, but let me leave you with this, the opening scene: Rusty Sabich, now chief judge on an appellate court, sits on a bed with the body of his dead wife, Barbara. She has died under suspicious circumstances….

To see interview, check out the the April issue of RT Book Reviews. (Innocent comes out in May, from Grand Central Publishing). And I don’t always say this about sequels, but in this case, the second book lives up to its predecessor. Innocent is riveting from the very first page.

Are you a Scott Turow fan, too? Have you enjoyed a sequel recently? Leave a comment and get a chance to win a signed copy of my latest release, Untraceable. And thanks for sharing my fun week!